{"id":56,"date":"2019-11-01T23:40:43","date_gmt":"2019-11-01T23:40:43","guid":{"rendered":"http:\/\/pn.square36.bplaced.net\/en\/?page_id=56"},"modified":"2020-05-05T21:03:12","modified_gmt":"2020-05-05T21:03:12","slug":"morton-gould-tapdance-concerto","status":"publish","type":"page","link":"https:\/\/pianeises.de\/en\/performer\/projects\/morton-gould-tapdance-concerto\/","title":{"rendered":"Morton Gould Tapdance Concerto"},"content":{"rendered":"\n<p>In January 2017, Pia Neises accepted Corrina Rottschy\u00b4s invitation to perform the \u201cMorton Goud Tapdance Concerto\u201d with the WDR Funkhaus Orchestra (Conductor: Eckehard Stier) in the Cologne Philharmonie. She showed this work three times in December 2018 with the Bremer Philharmonics (GMD Marko Letonja) at Bremen\u00b4s  &#8220;Die Glocke&#8221; concert house.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-style-large is-layout-flow wp-block-quote-is-layout-flow\"><p><em>Stories with her feet:<\/em><\/p><cite><em>(\u2026) \u201cSo was the latest philharmonic concert, titled &#8216;Winter Magic,&#8217;\u00a0\u00a0for  which Lentonja and team unearthed something interesting: a concert for  tap dancers and large orchestra, composed by American Morton Gould in  1952. In the tap dance part, only the rhythm is fixed&#8211;everything else  the dancer must invent.<\/em><br><em>(\u2026)<\/em><br><em>A  lustful, formal wealth arises, and through the variety of tones in the  taps, so too a kind of melody. Cologne-based Pia Neises leaves nothing  to be desired. Alongside a variety of facial expressions and comedy, she  tells stories with her feet, which she expertly and musically combines  with Letonja&#8217;s orchestral intonations. There was even a solo cadenza. A  true discovery!\u201d<\/em><br>MKKreiszeitung &#8211; Dec 2018<br><\/cite><\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo-1024x683.jpg\" alt=\"\" class=\"wp-image-251\" srcset=\"https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo-1024x683.jpg 1024w, https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo-300x200.jpg 300w, https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo-768x512.jpg 768w, https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo-1536x1024.jpg 1536w, https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo-450x300.jpg 450w, https:\/\/pianeises.de\/en\/wp-content\/uploads\/philarmonie-bremen_applaus_1920x1280px_2018-12-16_mit-logo.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Morton Gould Tapdance Concerto &#8211; Bremen Philharmonics &#8211; Die Glocke &#8211; Dec 2018<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube alignleft wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Morton Gould Tapdance Concerto, Tapdance Pia Neises\" width=\"1505\" height=\"847\" src=\"https:\/\/www.youtube.com\/embed\/ZIQ5VIY0Ssc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>WDR Funkhaus Orchestra &#8211; Conducter: Eckerhard Stier &#8211; Philharmonie Cologne &#8211; Jan 2017<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In January 2017, Pia Neises accepted Corrina Rottschy\u00b4s invitation to perform the \u201cMorton Goud Tapdance Concerto\u201d with the WDR Funkhaus Orchestra (Conductor: Eckehard Stier) in the Cologne Philharmonie. She showed this work three times in &hellip;<\/p>\n","protected":false},"author":1,"featured_media":249,"parent":50,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-56","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/pages\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":12,"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/pages\/56\/revisions"}],"predecessor-version":[{"id":328,"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/pages\/56\/revisions\/328"}],"up":[{"embeddable":true,"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/pages\/50"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/media\/249"}],"wp:attachment":[{"href":"https:\/\/pianeises.de\/en\/wp-json\/wp\/v2\/media?parent=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}